Epson brings Timothy Greenfield-Sanders’ genius to light

mcgowan_DarContePay close attention to the lighting when viewing Timothy Greenfield-Sanders’ portrait of Alfred Hitchcock, on public display for the first time in Movie Stars: Portraits by Timothy Greenfield-Sanders.

The master filmmaker had a cameo role in the education of the master photographer. As a student at the American Film Institute, Greenfield-Sanders landed a job photographing the guest lecturers for the school’s archives. It just so happened the speakers went by names of Bette Davis and Alfred Hitchcock.

“Hitchcock didn’t like the way I was lighting the room,” Greenfield-Sanders recounted. “He invited me out to his studio and introduced me to his lighting guys.”

Likewise, Davis taught the young photographer to never shoot a subject from below. “She said ‘Drive me around for a few days and I’ll teach you things,’ and so I drove with her.”

Read more: Epson brings Timothy Greenfield-Sanders’ genius to light

 

Sharing a thousand smiles with Epson

digital-20q3175-prvTaking photographs of children getting their teeth pulled can be a dramatic event anywhere in the world. That’s just one of photographer Bruce Byers’ many discoveries during a 12-day dental mission to Cambodia with a non-profit organization called Healing the Children. Joining a volunteer team of U.S. dental professionals, Byers took over 5,000 photographs of children, dentists and daily life on the flood plains of northwestern Cambodia.

Byers also learned the importance of backing up his thousands of photographs. After the mishap of erasing a memory card before downloading, he needed a better way to safeguard his images in Cambodia. His solution was to bring along the Epson P-4000 Multimedia Storage Viewer for storing, sharing and viewing his work without a laptop.

Read more: Sharing a thousand smiles with Epson

   

Why Mike Colon swears by Epson

When photographer Mike Colón shows up at a celebrity wedding, he doesn’t have to dodge security guards or stake out a spot in the bushes. As a notable celebrity wedding photographer, he is an important part of the event itself, capturing timeless nuptial images for his famous clients.
 
“If you’re trusted to photograph a $3 million wedding that’s already making entertainment news, everything has to be under control,” said Colón, an international wedding and lifestyle photographer based in Newport Beach, Calif. As one of the first wedding photographers to develop an all-digital workflow, Colón also travels the world teaching other photographers the latest techniques in digital photography. He is a strong believer in a new era of wedding photography in which photographers share their knowledge with each other.

mcphoto1Saving the Day:
One of the tools he likes to talk about is the handheld Epson P-5000 multimedia storage viewer. He uses the device onsite at wedding jobs to download, back up, store and display thousands of images without a computer. “No matter what kind of wedding, you’ve got to have a way to back up images on the spot,” he said.

While shooting a wedding, Colón and his assistants have a well-choreographed system of using two photo viewers for multiple back up purposes. After a memory card is full, each photographer quickly downloads it to one of the photo viewers, trades the viewer for the other, and repeats the process. The team is able to download, view and store thousands of JPEG and RAW images on each viewer’s 80GB hard drive. The long rechargeable battery life of the viewer is ideal for maintaining the workflow throughout the wedding and reception, and beyond the last dance.
 
“They say that time flies by at weddings, but so might your images and your reputation if you shortchange your backup system,” said Colón. As a result, he has all wedding images in his safekeeping, with each stored twice on two P-5000 viewers. He later transfers the images via a high-speed USB 2.0 interface from the viewer to the computer at his studio or the laptop in his hotel room. Colón also uploads the images to an online system that archives them for viewing and printing. There are no stacks of memory cards to mix up. When the job is over, his assistants take their own reformatted cards home with them.

Read more: Why Mike Colon swears by Epson

   

Epson brings Rock and Roll to life

ss_rocknroll_01Rock and roll fans were treated to the opening of an iconic photography exhibition at the prestigious Rock and Roll Hall of Fame in Cleveland, Ohio by famed photographer Lynn Goldsmith.

“This exhibition lets the audience step back in time and re-live moments of rock and roll history,” said Goldsmith. “It captures the feeling of what rock and roll was all about during the 1970s through the late 1990s.”
 
The award-winning photographer has worked with many of the biggest names in music: The Rolling Stones, The Police, Bob Dylan, Patti Smith, Bruce Springsteen, Joey Ramone, Michael Jackson, Sid Vicious, Robert Plant, James Brown, Joe Strummer, Miles Davis, and on and on. Goldsmith’s exhibition and the accompanying book, Rock & Roll: Lynn Goldsmith highlight her versatility as an artist who is equally skilled working in the studio, at live performances or behind-the-scenes for those moments that truly tell the stories of her legendary subjects.

Read more: Epson brings Rock and Roll to life

   

Epson Conquers Everest

Can Epson technology survive in the midst of extreme sub-zero temperatures, fierce winds, avalanches and oxygen deprivation? Epson’s P-4000® Multimedia Storage Viewer met the challenge with ease as it helped climbers reach the pinnacle on May 18, 2006 during the treacherous 60-day Everest Climb for Peace expedition.
 
everestepsonSharing in the success was a group of 10 culturally diverse adventurers and the Epson Multimedia Viewer. Expedition leader Lance Trumbull used the viewer to back up hundreds of photos and sneak glimpses of home during his arduous climb. “The Epson viewer allowed my team to bring their families along the slopes of Mt. Everest, without the danger!” he said. “During our climb, I was worried that the high elevation and harsh conditions would compromise the multimedia viewer. I was happy that it worked perfectly throughout our climb.”

Read more: Epson Conquers Everest

   

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